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Almost every character is trying to seek freedom, helping someone else achieve it, or taking someone else’s freedom away. I think the main theme in The Long Call dealt with freedom. I enjoyed side-eyeing particular characters and stating out loud whom Matthew and Jen shouldn’t fully trust. The overall mystery is easy to follow while having some unexpected developments. Seeing Matthew and Jen trying to get to the bottom of the mystery while facing a number of obstacles made for interesting TV. What starts as a murder case transforms into something that could upend things for a whole lot of people in Devon. The four episodes had a good amount of twists and turns when it came to which character was connected to whom and how. And that’s a good thing because while they both wait, we get to learn more about their lives as well as gain insight into other characters on the board. So, yes, Matthew and Jen do have to wait for the proper permissions and information to come through. Detectives can’t simply break into other people’s houses or hack into security systems on a whim. Detective work can be very slow, especially due to all of the red tape involved. In my opinion, the slow pacing worked in the narrative’s favor. I have seen certain viewers tweet about how they found the pacing in The Long Call to be slow. I liked seeing him and DC Jen Rafferty ( Pearl Mackie) trying to solve the Simon-related puzzle while taking the audience along with them. He’s a capable detective in a relatable sense. While I enjoy shows like Sherlock and Elementary, the leads of such mystery content are portrayed as geniuses and the manner they go about solving crimes can get quite confusing (and induce a few eye rolls due to the occasional deus ex machina tropes). First, I would like to share my opinions about the murder mystery aspect involving a dead man named Simon (Luke Ireland). I’ll come back to talking about the well-written queer representation in a bit. It was nice to see a supportive queer marriage as Matthew dove deeper into solving a local murder while dealing with the resurfacing issues from his childhood. There are numerous scenes with Matthew being intimate and enjoying domestic life with his husband Jonathan (Declan Bennett). And I’m happy to report that the writers didn’t shy away from showcasing Matthew’s sexuality. The Long Call has been promoted as the first-ever offering in British television starring a gay detective as the lead. The first episode opened with Matthew getting ready to attend his father’s funeral and it was made quite clear that Matthew’s not really welcome. Why? It’s because Matthew, as a teen, broke away from the evangelical cult he grew up in due to the members (including his mother, played impressively by Juliet Stevenson) didn’t approve of him being gay. However, he’s been keeping his visits to his ailing father a secret. The premise deals with DI Matthew Venn ( Ben Aldrige) coming back to his Devon hometown (with some stunning scenery) due to his father falling ill. Frankly, I won’t mind if you stop reading this review and go binge-watch The Long Call right now. The four episodes aired on consecutive nights, with the finale airing October 28.
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I’m glad I got to know about The Long Call season one about a week or so before the series premiere on October 25 on ITV. Trigger Warning: A story thread in The Long Call deals with sexual assault. This review of The Long Call season one contains certain spoilers. Matthew and Jen in the first episode of “The Long Call” Season 1 Adapted from the novel of the same name by best-selling author Ann Cleeves and starring Ben Aldridge, The Long Call season one (consisting of only 4-episodes) served me an intriguing murder mystery with a queer lead.